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MIT Global Shakespeares

Turkish Shakespeares

By | April 28, 2021

Turkish Shakespeares launched on April 23, 2021 — William Shakespeare’s 405th birthday. The website aims to introduce texts, productions and research on Turkish Shakespeares to a broader international audience of students, teachers, and researchers. New content will be added every two weeks. Read More

“Shakespeare, Woolf, and Shake-shifting” Podcast

By | February 23, 2021

Diana Henderson, Arthur J. Conner Professor of Literature and MacVicar Faculty Fellow at the Massachusetts Institute of Technology and Co-editor of Shakespeare Studies, spoke in a recent podcast entitled Shakespeare, Woolf, and Shake-shifting, part of a series called Women and Shakespeare. She discussed “Virginia Woolf’s collaborations with Shakespeare, Shakespeare Films, adaptations and Shake-shifting, and collaborative models for the discipline.” Read More

66th Taormina Film Fest

By | September 16, 2020

The 66th Taormina Film Fest took place in Sicily July 11-19, 2020. The feature film Il Re Muore (The King Dies) directed by Laura Angiulli, founder and company director of Galleria Toledo, was selected for the “Feature Competition” of the festival. Read More

The Value of the Humanities

By | December 13, 2019

MIT Global Shakespeares founding co-director Alexa Alice Joubin was quoted in The Chronicle of Higher Education, the largest newspaper in the U.S. dedicated to covering colleges and universities (founded in 1966 and based in Washington, D.C.). Read More

TED Talk: Global Change through Shakespeare

By | October 23, 2019

Alexa Alice Joubin will be giving a TED-style plenary presentation on “Global Change through Shakespeare” during the Fulbright Association’s 42nd Annual Conference and Advocacy Day in Washington, D.C., at 9:15 am on Saturday, October 26

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When history is held hostage by politics, when human rights are violated, story-telling helps restore dignity to what it means to be human. When William Shakespeare’s plays move through different cultures, they reveal unexamined assumptions about human nature and tell surprising stories about globalization.
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Actes des congrès de la Société française Shakespeare 37 (2019)

The Double Bind of Ophelia

By | July 12, 2019

How does Ophelia become “unbound” through supralinguistic structures of spectacle and music especially in a transgender performance? With case studies of three Hamlet films: Haider (India, 2004), The King and the Clown (South Korea, 2005), and Prince of the Himalayas (Tibet, 2006), this article examines theatrical and cinematic presentations of Ophelia’s double bind as an icon and a victim. Read more in Alexa Alice Joubin’s new article on feminist and transgender performances of Ophelia. Read More