Shakespearean theater in Brazil during the pandemic Shakespeare has held an active place in Brazilian academics and stages for decades, including the…Aline de Mello SanfeliciSeptember 20, 2022
Transgender Theory and Global Shakespeare Even though Shakespeare’s plays were initially performed by all-male casts, they were designed to appeal…Alexa Alice JoubinSeptember 16, 2022
The Screen as an Interface in Shakespearean Performance The concept of "interface" is often overlooked in the study of performances. The screen interface…Alexa Alice JoubinSeptember 15, 2022
Shakespeare and Global Studies Even though Shakespeare has been regarded as an "English" playwright, characters in his plays hail…Alexa Alice JoubinJuly 7, 2022
When Films Allude to Shakespeare … Shakespeare’s plays and motifs have been cited and appropriated in fragmentary forms on screen since…Alexa Alice JoubinMay 14, 2022
Trans Studies and Why It Matters Recently, anti-feminist, white nationalist, (trans)misogynist, anti-immigrant, and homophobic movements have used “genderism” to evoke a…Alexa Alice JoubinApril 26, 2022
Transgender Shakespeare Multiple Shakespeare's characters lend themselves to be interpreted as transgender. Even though Shakespeare’s plays were…Alexa Alice JoubinNovember 30, 2021
Teaching Shakespeare in a Time of Hate The moral agency that comes with the cultivation of ethical treatment of one another can…Alexa Alice JoubinNovember 3, 2021
Back in the USSR with Shakespeare: The Special Section on Soviet Shakespeare in The Shakespearean International Yearbook In the 1930s, the Soviet Union (USSR) lauded Shakespeare as a prophetic playwright who, while…Natalia KhomenkoMay 18, 2021
Performing Shakespeare in the Age of Networked and Digital Cultures How has COVID-19 affected cultural and digital globalization? Performing Shakespeare is an act of mediation between…Alexa Alice JoubinMarch 25, 2021
Familiar Ambiguity: The Value of the Humanities in a Globalized World The world needs good question askers as much as it needs good problem solvers. Before…Alexa Alice JoubinMarch 3, 2021
Five themes in Asian Shakespeare adaptations Since the nineteenth century, stage and film directors have mounted hundreds of adaptations of Shakespeare…Alexa Alice JoubinFebruary 17, 2021
Shakespeare and Social Justice Many screen and stage adaptations of the classics are informed by a philosophical investment in…Alexa Alice JoubinOctober 12, 2020
Five Things to Know about Global Shakespeare Adaptations of the classics not only creates channels between geographic spaces but also connects different…Alexa Alice JoubinOctober 12, 2020
How Shakespeare Cures a Stuttering King The King's Speech (dir. Tom Hooper, 2010) portrays a figure that suffers from speech impairment.…Alexa Alice JoubinDecember 10, 2019
Ethics of Citing Shakespeare in a Global Context Global Shakespeare can be studied through two interrelated concepts: performance as an act of citation…Alexa Alice JoubinNovember 16, 2019
Teaching King Lear in a Global Context How might we engage with the "essence" of King Lear in a networked culture? Juxtaposing the…Alexa Alice JoubinNovember 16, 2019
Tang Xianzu and Shakespeare: Quartercentenary Commemorations Cultural memory is actively constructed through embodied and political performances. Tang Xianzu and William Shakespeare,…Alexa Alice JoubinNovember 16, 2019
Global Shakespeares in World Markets and Archives Shakespeare is a local force to be reckoned with in the global marketplace and in…Alexa Alice JoubinOctober 28, 2018
“To unpath’d waters, undream’d shores”: Shakespeare in the World In the centuries since William Shakespeare's death, numerous stage and, more recently, film and television…Alexa Alice JoubinOctober 26, 2018
Global Shakespeare Criticism beyond the Nation-State On a sunny afternoon in early June, 2015, in a rehearsal room at the University…Alexa Alice JoubinOctober 26, 2018
Reflections on TNT’s China Tour TNT theatre are currently on tour in China with Shakespeare's A Midsummer Night's Dream. Paul…Alexa Alice JoubinDecember 6, 2017
Review of Richard III from the 2013 Bitola Shakespeare Festival The expectant audience for the Bitola Festival’s Richard III had been brought up to speed…Randall MartinMarch 9, 2016
Review of Poor Poor Lear from the 2013 Bitola Shakespeare Festival The audience was waiting to get into the basement playing space of the National Theatre.…Randall MartinMarch 9, 2016
Review of Romeo and Juliet from the 2013 Bitola Shakespeare Festival Last night the local mayor who had once played Hamlet in the state theatre inaugurated…Randall MartinMarch 9, 2016
Review of Henry VI Part Three from the 2013 Bitola Shakespeare Festival What does it feel like to watch Shakespeare’s darkest story of civil war in a…Randall MartinMarch 9, 2016
Shakespeare’s Shadow: The Belarus Free Theatre’s King Lear at the Globe Theatre In 2012, the Belarus Free Theatre participated in the Globe to Globe festival, staging King…Natalia KhomenkoAugust 17, 2015
Shamlet: Shakespeare as Palimpsest This article investigates one of the most traditional yet uncanny literary recursions in recent practices…Alexa Alice JoubinJuly 20, 2014
News Sulayman Al-Bassam’s The Speaker’s Progress: Introduction The third installment of Sulayman Al-Bassam’s Arab Shakespeare Trilogy premiered in New York in 2011.…Graham HoldernessJuly 26, 2013
News Sulayman Al-Bassam’s The Al-Hamlet Summit: Introduction Shakespeare touched the Arab world astonishingly early. In 1608, during the 3rd voyage of the…Graham HoldernessJuly 26, 2013
News Arabesque: Shakespeare and Globalisation On April Fool’s Day 1607 the crew of the Red Dragon weighed anchor off the…Graham HoldernessJuly 25, 2013
News From Summit to Tragedy: Sulayman Al-Bassam’s Richard III and Political Theatre Richard III is one of Shakespeare’s best-known characters, a familiarity independent of the history plays,…Graham HoldernessJuly 25, 2013
News Arab Shakespeare There’s still something of novelty about that concatenation “Arab Shakespeare”. Compared to many topics under…Graham HoldernessJuly 25, 2013
News Sulayman Al-Bassam’s An Arab Tragedy: Introduction Sulayman Al-Bassam’s Richard III: An Arab Tragedy premiered at the Royal Shakespeare Theatre in Stratford-upon-Avon…Graham HoldernessJuly 25, 2013
News The Failed Literary Revolt: Shakespeare and the Early American Left “We cling to the old culture, and fight for it against ourselves. But it must…MIT Global ShakespearesJuly 25, 2013
News Listening to Global Shakespeare Music has always been an important element in Shakespeare’s plays, assisting the audience in understanding…Kendra Preston LeonardJuly 24, 2013
News Globalization and the Humanities in the Twenty-first Century Some people register a sense of place through sweet memories of taste and sounds, others…Alexa Alice JoubinMay 24, 2013
News “What Country, Friends, Is This?”: Multilingual Shakespeare on Festive Occasions Touring theatre is a place where theatre studies and globalization come into contact. The year…Alexa Alice JoubinJanuary 30, 2013
News Nós do Morro: Voice, Art, and Empowerment Nós do Morro (Us from the Hillside) is a community based theatre company and school…Cristiane Busato SmithJanuary 8, 2013
News The Impermanence of Son and Stone: Transience as Personal Narrative in Wu Hsing-Kuo’s Lear is Here, Wu Hsing-Kuo Meets Shakespeare First performed in a workshop with Ariane Mnouchkine in 2000 and later toured, in an…Haylie SwensonSeptember 11, 2012
News What Multilingual Shakespeare Can Teach Us The World Shakespeare Festival in London in 2012 is arguably one of the most important…Alexa Alice JoubinJuly 29, 2012
News Shakespeare in Borrowed Robes Can Shakespeare’s plays give a “local habitation” to the “airy nothing” of globalization? Shakespeare is…Alexa Alice JoubinJuly 29, 2012
News Shakespeare in Latin America In Brazil, the first translation of a whole play by Shakespeare appeared in 1842, from…Aimara da Cunha ResendeJuly 25, 2012
News The Paradox of Female Agency: Ophelia and East Asian Sensibilities: Excerpt Excerpted from "The Paradox of Female Agency: Ophelia and East Asian Sensibilities," in The Afterlife…Alexa Alice JoubinMay 7, 2012
News Shakespeare and Translation: Excerpt Literary translation is a love affair. Depending on the context, it could be love at…Alexa Alice JoubinFebruary 7, 2012
News Tang Shu-wing’s Titus Andronicus 2.0 and a Poetic Minimalism of Violence Tang Shu-Wing’s approach in Titus Andronicus 2.0 (Hong Kong: Tang Shu-wing Theatre Studio, 2009) shows…Howard ChoyJanuary 23, 2012
News Shakespeare in India: Modes of Performance The universalized Shakespeare stream is seen through a Marathi production, directed by Sharad Bhuthadia, by…Poonam TrivediJune 22, 2010
News Shakespeare in India: Chronology of King Lear Productions in India 1832 Scenes, Lear (III.iii), English, Chowringhee Theatre, Calcutta. 1880 Atipidacarita, Marathi, tr./adapt. S M Ranade,…Poonam TrivediJune 22, 2010
News Shakespeare in India: History of King Lear in India King Lear is an appropriate play with which to illustrate these tendencies and periodisation in…Poonam TrivediJune 22, 2010
News Hamlet in China: Translation, Interpretation and Performance Of all Shakespeare’s plays, Hamlet has attracted the most Chinese translators, with no fewer than…Ruru LiApril 5, 2010