
Search: Hamlet centres around an absent Hamlet. Each participant enters a dialogue that develops and interprets the contemporary search for Hamlet in their cultures and communities today. Read More
Search: Hamlet centres around an absent Hamlet. Each participant enters a dialogue that develops and interprets the contemporary search for Hamlet in their cultures and communities today. Read More
Performed in Bahasa Indonesia, Japanese, Mandarin and Korean with English subtitles. Fifteen years after 1997, Ong Keng Sen revisits his Lear to create a new performance, distilled and visionary, entering one man’s mind, a past king and his memories: Lear Dreaming. Read More
In March 2000, Ong Keng Sen directed Desdemona in which – actors, musicians, designers, video/installation artists – from India, Korea, Myanmar, Indonesia, and Singapore worked together on-stage. Desdemona premiered at the Adelaide Festival and then went on to the Munich Dance Festival and the Singapore and Hamburg Festivals. This production toured Japan in 2001.
In March 2000, Ong Keng Sen directed Desdemona in which – actors, musicians, designers, video/installation artists – from India, Korea, Myanmar, Indonesia, and Singapore worked together on-stage. Desdemona premiered at the Adelaide Festival and then went on to the Munich Dance Festival and the Singapore and Hamburg Festivals.
Ong Keng Sen’s interpretation of Shakespeare’s King Lear brings artists from Japan, Thailand, China and Indonesia to work together on this intercultural and collaborative piece that toured Asia & Europe. Read More
Search: Hamlet centers around an absent Hamlet. Each participant enters a dialogue that develops and interprets the contemporary search for Hamlet in their cultures and communities today. Read More