The documentary about the performance process of staging Kraliçe Lear (2019) shows how an all-female, rural, travelling theatre company deals with gender inequalities. Their backstories give Shakespeare new significance for the lives of the performers and their sceptical audiences. As an all-female and rural travelling theatre, the Arslanköy Theatre Company’s free performances aim to dissuade rural people from their general disbelief at the necessity of dramatic entertainment. Read More