The theatre group Ueba Produtos Notáveis is a Brazilian street company based in Caxias do Sul (Rio Grande do Sul). Their street production A megera domada (2009), a free adaptation of Shakespeare’s The Taming of the Shrew (1592), displays specificities and motives borrowed from the commedia dell’arte, among them comic/grotesque acting techniques, stereotyped characterization, improvisation and theatre in the round with no separation between audience and performers. Read More
Hamlet Sincrético (Syncretic Hamlet, 2005) is a collaborative production by Grupo Caixa Petra that adapts Shakespeare’s Hamlet from a “black aesthetic”. It draws on Afro Brazilian cultural and religious syncretic elements as metaphors to retell Shakespeare’s tragedy. The production respects the linearity of the source play but does not reproduce its language which follows the particular nature of each character. The characters are incarnations of types or characters from Afro-Brazilian mythology and religions. For instance, while Hamlet’s role as the seeker of justice is associated with Xangô, the *orixá (or orisha) of justice and wisdom, the ghost is linked to Oxalá, the sky father orisha. Gertrudes is the queen of carnival and Polonius is characterized as a former *Candomblé priest converted into an evangelical preacher. Claudius is portrayed as Zé Pilintra, a folk character in the *Umbanda and *Catimbó traditions known for his bohemianism and wild partying. Read More
