Serhat Yiğit’s İkinci Katil (2017-2018), performed by the Ankara State Theatre, is an adaptation of Shakespeare’s Macbeth and is reminiscent of Tom Stoppard’s Rosencrantz and Guildenstern are Dead (1966), by focusing on minor characters and their otherwise disregarded and peripheral microcosms. However, different from the post-modern self-reflexivity of Stoppard’s play, Yiğit uses an Aristotelian model in his play. Read More